FP Blogs

August 01, 2010

n0wak: Mike Nowak, tumblrGrand Old Aunt Björk (via The Reykjavik Grapevine Features /...

boogah: gomi no senseiYou know what makes a mediocre morning better? Watching @RowdyOwdy eat ribs. #fb

You know what makes a mediocre morning better? Watching @RowdyOwdy eat ribs. #fb

zadcat: montreal city weblogDo STM fines make good sense?

The Gazette asks whether the STM’s fines make sense but doesn’t come to any conclusion.

I find odd that the STM can be so draconian in the metro, while on the bus the situation is so casual. There are buses with bad card readers where the driver will just wave people past, to keep things moving. There are riders whose fares don’t read, or for some reason their change doesn’t register, and after a try or two, they get waved past as well. Some people may be trying this in bad faith but most, I think, are not, and the driver’s priority is to keep to schedule and – in some situations – avoid a conflict.

I’m also a little curious how many people are able to get into the metro without paying, and how. I’ve never noticed a lot of turnstile-leaping going on.

waxpancake: Waxy.org LinksAuto-Tune the News' Bed Intruder Song

zadcat: montreal city weblogNew Yorker on a Montreal art expert

It’s longish, but I can recommend this recent New Yorker piece which, after some meandering, turns out to be mostly about a Montreal man with a very interesting art authentication business.

July 31, 2010

Hackworth: Unstoppable.org Linksepic: Retweeting Explained By Human Centipede via Buzzfeed.

ba: B.A.'s WeblogHey Stuff!

kickerofelves: Largeheared BoyContest - Win a $100 Threadless Gift Certificate and Eclipse Series 23: The First Films of Akira Kurosawa

This summer, one of my goals is to watch every Criterion Collection film streaming on Netflix. I decided to group my viewings by director, and among the first films I watched were the eight available films by legendary Japanese director Akira Kurosawa.

This week the Criterion Collection releases Eclipse Series 23: The First Films of Akira Kurosawa, a box set which features four of the director's early films (Sanshiro Sugata, Sanshiro Sugata, Part Two, The Most Beautiful, The Men Who Tread on the Tiger's Tail). All four of these films have been previously collected in the box set AK 100: 25 Films of Akira Kurosawa.

As for my goal of watching all 139 Criterion Collection films streaming at Netflix, I am about halfway there (luckily I had seen many of these previously). However, once I am done, I will be looking for other classic films to enjoy. Any suggestions?

To enter the contest, leave a comment in this post with the name of your favorite movie.

The winner will receive a copy of Eclipse Series 23: The First Films of Akira Kurosawa, along with a $100 Threadless gift certificate (to buy such movie-related t-shirts as Hollywood Swindle, Movies: Ruining the Book Since 1920, and others.

The winner will receive the following prizes:

Eclipse Series 23: The First Films of Akira Kurosawa
$100 Threadless gift certificate

The winner will be chosen randomly at midnight CT Friday evening (August 6th).


also at Largehearted Boy:

previous and ongoing contests at Largehearted Boy

52 Books, 52 Weeks (my yearly reading series)
Atomic Books Comics Preview (highlights of the week's new comics)
Book Notes (authors create playlists for their book)
guest book reviews
Largehearted Word (highlights of the week's book releases)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily links from the worlds of music, literature, and pop culture)


zadcat: montreal city weblogDetaching young gangsters, one by one

A new project attempts to extract young gang members from their criminal milieu by showing them better alternatives, but it has to be done intensively, one by one.

zadcat: montreal city weblogDr. Julien wants his insight understood

Dr. Gilles Julien talks about how his social pediatrics clinics fail to fit into the Quebec government’s categories, which makes it tricky to get grants, but he says he wants the government and the public to understand what he does because he’s seen a need they do not.

ba: B.A.'s Weblog¡Gorrilla Mugs!

zadcat: montreal city weblogMexican workers: it’s peaceful here

A glimpse of the Mexican farm workers who come to make minimum wage on Quebec farms.

kickerofelves: Largeheared BoyShorties (Joanna Newsom, Jennifer Egan, and more)

The San Francisco Chronicle interviews singer-songwriter Joanna Newsom.


Author Jennifer Egan shares a food diary with Grub Street.


The Los Angeles Times explores the cassette tape revival.


The Guardian interviews Richard Ashcroft.


The Boston Globe reviews Doug Dorst's debut short story collection, The Surf Guru.


Pop & Hiss recommends 10 music critics as possible judges for American Idol.


Newsarama interviews cartoonist Jeff Lemire.


On sale at Amazon MP3: My favorite New Pornographers album, the 13-track Electric Version, for $3.99


Moviefone lists books that would be "geektastic" movies.


All Shook Down shares five formulas for a blog-worthy band.


Jamie S. Rich offers tips about breaking into the comics business.


NPR is streaming a live Gorillaz performance from earlier this week.


NPR is streaming live performances from this weekend's Newport Folk Fest.

Spinner offers mp3 downloads from the performers.


The Guardian recommends summer reading for children.


Follow me on Twitter and Stumbleupon for links (updated throughout the day) that don't make the daily "Shorties" columns.


also at Largehearted Boy:

previous Shorties posts (daily links from the worlds of music, literature, and pop culture)

Atomic Books Comics Preview (highlights of the week's comics & graphic novel releases)
daily mp3 downloads
Largehearted Word (highlights of the week's book releases)
Try It Before You Buy It (mp3s and full album streams from this week's CD releases)
weekly music & DVD release lists


zadcat: montreal city weblogBixi as a social class marker?

All of a sudden disillusion with Bixi: Emile Thomas on Spacing complains of shortages of bikes, decline in the bikes’ condition and dodginess in Bixi’s environmental calculations. In the Globe & Mail, Mike Finnerty, observing the launch of London’s Bixi equivalent, observes that the service is the preserve of the middle class in Montreal; he also wonders how they will survive London’s dense traffic snarls.

Journalists tend to exaggerate to make a point. I use Bixi and I don’t think the system is in as parlous a condition as Mr. Thomas suggests. I do have my doubts about the calculations of greenhouse gas saved because I suspect they’re not taking into account the large trucks zooming around town with trailers full of bicycles, redistributing them throughout the system – but I know those gas numbers are a very, very rough guess anyway, and just a PR lagniappe.

kickerofelves: Largeheared BoyDaily Downloads (Joe Pug, The Low Anthem, and more)

Every day, Daily Downloads offers 10 free and legal mp3 downloads, plus free and legal live sets from around the internet.

Today's free and legal mp3 downloads:

Alejandro Escovedo: 2010-07-16, Camden [mp3,ogg,flac]
Alejandro Escovedo: "Always a Friend" [mp3]
other Alejandro Escovedo posts at Largehearted Boy

Death Cab for Cutie: 2006-11-27, St. Louis [mp3,ogg,shn]
Death Cab for Cutie: "Marching Bands of Manhattan" [mp3]
other Death Cab for Cutie posts at Largehearted Boy

Drive-By Truckers: 2010-07-22, Auburn Hills [mp3,ogg,flac]
Drive-By Truckers: "Gravity's Gone" [mp3]
other Paleo posts at Largehearted Boy

Fruit Bats: 2005-10-29, St. Louis [mp3,ogg,flac]
Fruit Bats: "The Little Acorn" [mp3]
other Drive-By Truckers posts at Largehearted Boy

Grace Potter: 2010-07-25, Floyd [mp3,ogg,flac]
Grace Potter: "Low Road" [mp3]
other Grace Potter posts at Largehearted Boy

Hayseed Dixie: 2004-04-30, University City [mp3,ogg,flac]
Hayseed Dixie: "Fat Bottomed Girls (Queen cover)" [mp3]
other Hayseed Dixie posts at Largehearted Boy

Joe Pug: 2010-07-24, Floyd [mp3,ogg,flac]
Joe Pug: "Nation of Heat" [mp3]
other Joe Pug posts at Largehearted Boy

Kate Earl: 2005-11-01, St. Louis [mp3,ogg,shn]
Kate Earl: "When You're Older" [mp3]
other Kate Earl posts at Largehearted Boy

The Low Anthem: 2010-07-24, Floyd [mp3,ogg,flac]
The Low Anthem: "Evangeline" [mp3]
other Low Anthem posts at Largehearted Boy

Over the Rhine: 2005-06=26, Chicago [mp3,ogg,shn]
Over the Rhine: "Moondance (Van Morrison cover)" [mp3]
other Over the Rhine posts at Largehearted Boy


Free and legal mp3s of live performances at other websites:

Class Actress: Daytrotter session [mp3]
other Class Actress posts at Largehearted Boy


also at Largehearted Boy:

other daily free and legal mp3 downloads

2010 Bonnaroo downloads
music festival downloads
Try It Before You Buy It (mp3s and album streams from weekly CD releases)
weekly CD and DVD release lists


mcd: mcdspotLinks for 2010-07-30 [del.icio.us]

jp: jason pitmanvia FYNIN by Rob Sheridan

lcbo: Jesus Christumblr_l5wbuxrup21qzujsgo1_500.gif (500×375)

lcbo: Jesus ChrisDear CBC: Review more books : This Magazine

July 30, 2010

Rick: moon soup (no bowl, no moon)Tonight! Moon Radio!

Mad Liberation by Moonlight- Mental Health consumer-talk-radio,
Friday night, 1 a.m. to 2 a.m. (Pacific Time)-July 30th, 2010 (July 31st if you want to be technical).
Topic: Mental Health and Peer Support
Also! Today is the anniversary of David Romprey’s ascent into the great peer support council in the sky.
On KBOO 90.7 FM or streamed on the web: http://kboo.fm/
Call in at 503-231-8187 to be on the radio (or show up at the studio).
We need your voice! There are people listening (all over the world, by internet).
You can do this! Be a radio star, or just call in and talk.
Archived shows are available at
Be well,
Rick
Remember: Call 503-231-8187
between 1 and 2 am (Pacific Time) Friday night
set your alarm


Marquis: Said the GramophoneI'll Never Be In Love Again

Ivy-1.jpg
Prince - "Lavaux"

Dear Pinchetta,
How's Heaven? I'm good. My life sucks. My life is over. David's going back to Hamilton on Monday and I think I'm going to die. I love him so much. Theresa says I'm too young to know what love is, but if this isn't love then I don't want to feel love cuz I think it'll just kill me. David is the greatest he says he would rather die than break up with me. The most embarrassing thing happened today we were saying goodbye in his driveway and he hugged me and said "you're not wearing a bra". I almost died. I said "it's too hot to wear a bra," but that just made it worse cuz now I'm talking about my sweaty body AND that I'm a late bloomer. Crap like that sucks major, but nothing sucks as major as that he's leaving. Sometimes I wanna have a baby with him and sometimes I wanna just die, and sometimes, and these are the best times, I forget all about that he's leaving and we just talk about stuff. Like today we talked about the Prime Meridian and the Equator. About how the Prime Meridian is an apple and the Equator is a grapefruit. I love him so much.

[you can't buy this album]


j2323: taint.orgLinks for 2010-07-30

zadcat: montreal city weblogHonour crime: mother denied bail

The Lachine woman accused of having tried to murder her own daughter in what’s being described as an attempted honour killing has been denied bail and must stay behind bars till her trial at the end of August.

bturner: OMG, IT'S FULL OF ART© Drake Brodahl

zadcat: montreal city weblogDessert poutine and fried bologna

lcbo: Jesus Chris"Nate has seventeen cartridges to expend (sixteen residing in the pistol’s magazine, with a..."

“Nate has seventeen cartridges to expend (sixteen residing in the pistol’s magazine, with a solitary round placed in the chamber as to maximize the weapon’s capacity) on the group of thieves, and he uses many of them. Afterward, he generously shares with Warren the credit for neutralizing the situation, though it is clear that Nate did all of the difficult work. Putting congratulations aside, Nate quickly reminds himself that he has committed multiple homicides to save Warren before letting his friend know that there are females nearby if he wishes to fornicate with them.”

- Regulate (song) - Wikipedia, the free encyclopedia

kickerofelves: Largeheared BoyBook Notes - Willy Vlautin ("Lean on Pete")

In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.

Lean on Pete is Willy Vlautin's second novel. The book follows 15 year-old Charlie Thompson as he struggles to survive after his father is killed. Both Charlie and the people he encounter are vivid yet relatable characters, and Vlautin's matter of fact storytelling perfectly paces the book.

Lean on Pete is a gritty, yet classic, American road novel.

For a couple of years, the blog Syntax of Things had a list of contributors each name the most underrated writers. If that list was reincarnated today, I would easily name Willy Vlautin as my choice. Recently in the Telegraph, Colm Tóibín wrote of Vlautin, "There is a lovely lazy beauty about his prose that must come from having a pure ear for music, but also he has a sense of character and plot that most novelists would envy." I have to agree wholeheartedly, and can unabashedly recommend his other novels The Motel Life and Northline.

The Independent wrote of the book:

"Lean On Pete is an archetypal American novel, Huck Finn for the crystal-meth generation. If there's the occasional touch of sentimentality, it's hard-earned and welcome. This is a sad, often brutal, but oddly beautiful portrait of an America that's forgotten only because we choose not to remember its continuing existence."


In his own words, here is Willy Vlautin's Book Notes music playlist for his novel, Lean on Pete:


Charley Thompson, the narrator of Lean on Pete, doesn't have a computer or a stereo or even a CD player. He's a kid who's not obsessed with music, he doesn't even really follow music on the radio. So his narration doesn't have music to it, it's closed and simple and strict because if he lets it out, he'll fall apart. He's hanging on just barely. So when I wrote the novel I thought of music only as a soundtrack, taking place outside of the sentences. But I'd hear a song and say, "Hey that's Charley's song. Or that's a song that Del would like, or that's the song Pinto would get drunk to, or that one feels like Ruby." This list is a few of those songs.


1) "Sonic Wind" - Calexico

It's a song I can listen to for hours at a time, it has an epic cinematic feel to it, it's part desert, part western, part action movie, part romance. When I think of Charley and Pete walking through the high desert of eastern Oregon I think of this song. It would be the soundtrack to a daydream Charley would have about himself and Pete. A great action/adventure daydream he'd use to kill time. What a solo by Jacob Valenzuela! If I could disappear into a song, this would be the one.


2) "Cancion Mixteca" - Harry Dean Stanton

It's a song I hear when I see Charley walking the streets of Denver, Colorado. He's on Colfax Ave and he's alone and things are looking bleak. But I always imagined Harry Dean Stanton singing to him, helping him, looking after him, and this is the song he'd sing. It's one that has always brought me great comfort.


3) "I Was Young When I left Home" – Bob Dylan

This song always stops me in my tracks. There's a grand loneliness to it, a proud defeatist, an edge to the narrator that runs through the middle of him. Charley's dipped in this even though he doesn't realize it yet.


4) "Mystic and Severe" – Ennio Morricone

There's a scene in the novel where Charley sneaks out the back of his house, the police are in the front, and his father is laying on the ground unconscious and hurt. I always figured Charley would jump the back fence and run down the road to this song. An epic adventure song, full of sadness and impending doom.


5) "Lonnie's Lament" – John Coltrane

While writing Lean on Pete John Coltrane's music started to make sense to me, it was a great gift to finally fall in love with his music. I'd written a short scene with a guy named Lonnie Dixon. A man who was driving thousands of miles to be with his brother who'd just fallen off scaffolding and was in the hospital. When I heard this song I knew it was Lonnie's song, it was even named Lonnie's Lament. It was meant to be. I just imagine Lonnie drinking a 12 pack of Coke trying to stay awake, driving. His old truck is tired and he's lost in worry and anxiety and this song plays all around him.


6) "One Time One Night" – Los Lobos

David Hildago is one of my favorite singers and I've always thought that Charley Thompson could have been a character in this song. It always eases my mind to think of this, that if was, he'd be less lonely ‘cause David Hildago's voice would protect him. Ha Ha HA! See, I am crazy.


7) "Skid Row" - Merle Haggard

It's the morning and Charley is in the truck with his boss, Del. Lean on Pete and Broken Blue are in the trailer and Del is warming up the truck and is chewing Copenhagen and drinking coffee. Charley is drinking hot chocolate and the sun's coming up. It's a beautiful morning. Del's finally in a good mood and then this song comes on the radio. The perfect song for that scene. A great upbeat song about being down and out! Even when your boss is horrible like Del, once in awhile things are alright.


8) "Lion's Jaw" – Neko Case

This is the song I think Charley would identify with Ruby, the girl he meets in Boise, Idaho. A great song by one of the great singers. A huge romantic epic that clocks in at under two minutes and thirty seconds. It's a song that his heart would live in when he'd think of the girl. The dream of Ruby, her heart is like the voice in the song, and the "Lion's Jaw" is the couple in the camper, the couple taking Ruby to Arizona.


9) "All My Life" - Old Joe Clarks

I could always see Charley walking down the street in St. Johns/Portland and coming across Mike Coykendall singing this song on the sidewalk. The kid has never really heard good music live and it would be in the middle of the day and he'd stop and hear this from start to finish. It would break his heart in a way he wouldn't understand yet. There's such beauty and gentleness and sadness in this one. Charley would stumble into it just walking down a city street. Once in a while a guy gets lucky, he gets the gift of a great song.


Willy Vlautin and Lean on Pete links:

the author's website
the author's Wikipedia entry
video trailer for the book
excerpt from the book

Andrew Blackman review
Bart's Bookshelf review
BookPage review
Broomfield Enterprise
Chazz W review
City of Tongues review
CMT Blog review
Dan's Journal review
Guardian review
Helen Loves Books review
The Independent review
Irish Times review
The List review
Oregonian review
Powell's Books review
Time Out Chicago review
Tut. Sulk. Tut. review
Village Books review
Windfarm review
With Extra Pulp review

Buzz Magazine interview with the author
Nerve interview with the author
Oregonian profile of the author
Powell's Books interview with the author
Song By Toad interview with the author
Think Out Loud interview with the author


also at Largehearted Boy:

other Book Notes playlists (authors create music playlists for their book)

52 Books, 52 Weeks (weekly book reviews)
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Largehearted Word (weekly new book highlights)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily music, literature, and pop culture links)
Soundtracked (composers and directors discuss their film's soundtracks)
Try It Before You Buy It (mp3s and full album streams from the week's CD releases)
weekly music & DVD release lists


onepaw: The DeeJayDog BlogVideo/Art

What’s more digitally convergent than the Guggenheim Museum teaming up with YouTube? YouTube Play invites video-makers from around the world to submit original works for show at the Guggenheim. Up to 20 videos will be presented simultaneously in New York, Berlin, Bilbao, and Venice and remain on public display October 22-24 in NYC. Submissions close [...]

lcbo: Jesus Chrishttp://thingsididlastnight.com/

mcd: mcdspotmust read

Hell yes. They’re finally going to release Mark Twain’s personal papers, which he expressly forbade anyone to do until he’d been dead 100 years.

Related posts:

  1. let the guffaws commence No one is really sure why Mark Twain issued a...
  2. perspective Most unlikely link of the day: Rosie O’Donnell’s blog. However,...
  3. get lit Good list of 100 books that should be in any...

mcd: mcdspotOscar nominee

This is probably my favorite movie of all time.

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mcd: mcdspotzen punk

Confederate Motorcycles makes some intense bikes.

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mcd: mcdspotoh ye of little faith

Nifty chronology of events in the history of the English versions of Scripture, and of the place of Scripture in the church and in society.

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  2. an entire realm of human history (or, alternatively, wikipedia of the day) Before this day I had never heard of Johann Winckelmann,...

mcd: mcdspotschooled

mcd: mcdspotcool idea

they sell them here.

No related posts.

mcd: mcdspotyou must look good in a bathing suit, though

This is one of the coolest houses I’ve seen.

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  1. everything recurs Urban decay in Detroit has created a high concentration of...

mcd: mcdspotmoment in momentum

Clark Little takes some wonderful photography. Check out the gallery.

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kokogiak: The Big PictureAfghanistan, July, 2010

This past month, much of the attention focused on Afghanistan centered on the release of thousands of classified documents from the war effort by WikiLeaks. While the consensus appears to be that nothing significantly new was revealed by the release, the picture painted by the documents remains rather bleak. NATO and the United States now have 143,000 troops in Afghanistan, set to peak at 150,000 in coming weeks as they take a counter-insurgency offensive into the insurgents' southern strongholds. Taliban control remains difficult to dislodge, and once removed from an area, Taliban forces often return once larger forces leave a region, especially in rural areas where local government presence remains small. Collected here are images of the country and conflict over the past month, part of an ongoing monthly series on Afghanistan. (47 photos total)

A U.S. Marine Corps F-18 Hornet aircraft prepares to refuel over Afghanistan July 8, 2010. (U.S. Air Force photo by Staff Sgt. Andy M. Kin/Released)


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Afghanistan - United States - Taliban - War in Afghanistan - NATO

emptyage: EmptyageUPDATE : Were you a victim of Rachael Smith? I’ve...



UPDATE : Were you a victim of Rachael Smith? I’ve been in touch with one other, and we’re going to try to organize a meetup one evening next week. Leave your contact details in the comments below if you’d like to attend. There’s also a dedicated website: http://scammedbysmith.com for victims to come together.

My New Nemesis

Have you seen this ratfucker? She has my five thousand dollars. My $5,100 to be exact.

We signed a lease with her, gave her a security deposit and August rent, and then she vanished and quit returning our calls or emails. After a week of trying to get in touch, we stopped by her apartment yesterday, where we found another “renter” also looking for her. And then we found out about the article in the paper, and called the cops. (Actually, we had already called the police earlier in the day, who told us to close our bank accounts, which we did. We stopped at the apartment after a doctor’s appointment, on the way to our local police station.) The investigating officer said we were the 20th case. Which means she’d raked in at least $100,000. And that was before the thing really blew up. 

Our awesome DA let her out on bail and she was last seen on the 28th loading up a U-Haul. Now she’s fucking gone. With my money, and a lot of other people’s money. Her name is Rachael M. Smith—although she also used the name “Laughtner” as in “Rachael Laughtner-Smith.” (Here’s her Facebook profile.) Our only hope of getting our money back, apparently, is to take her to court.

I’d guess she’s about 5’7” or so, and weighs about 300 or so. (It’s hard for me to gauge weight, but she’s heavyset.) She has a tiny gray dog, I’m not sure of the breed, but it’s more than 20 years old and essentially lame. It was bleeding from the rectum when I last saw it. If you see her, please drop a dime. Contact SFPD Inspector John Monroe at (415) 553-1936

Side note: in the three bedroom apartment she showed us (where I now suspect she was a renter) she had one bedroom that was nothing but shoes. All the walls were lined with six foot high shoe racks, and completely full of designer shoes. So, you know, she may also answer to Imelda. 

Also: I should say I’m less concerned about getting the money back (though I want it) than I am about seeing her ass thrown in stony lonesome for a few years.

If it helps, her email address (one of them, at least) is ratesheet94121@hotmail.com and her cell phone number is 415-286-8257. Please don’t call her. But if if helps you track her, use it!


briank: BrianKaneOnlineOne Big Mouse

Here’s a blog from a family who are trying to spend one year of their lives without any influence from Disney. They’ve decided to take anything produced by a Disney-owned company out of their home, avoid watching any media produced by Disney-owned companies, and spend no money on anything made by a Disney-owned company.

You might not think that’s too difficult, but here’s the list of the television networks, cable networks, radio and television stations, movie studios, online services, periodicals, and other related businesses directly owned by Disney. It’s not completely impossible to stay away from all these entities, but it’s going to be a challenge.

This PDF shows how virtually every media outlet in the United States is controlled by one of five corporations: Disney, Viacom, Bertelsmann, TimeWarner, News Corporation, and Vivendi. Because the landscape changes so frequently, the information is now a little out of date (for example, Vivendi sold off Universal to GE, which packaged it along with NBC and sold NBC Universal to Comcast), but it still paints a disturbing picture.

See Also

rhbaby: Oof! Blog! Argh!Panty-dropper alert: Thor Trailer includes Natalie Portman, shirtless hunk. YOU HAVE BEEN WARNED.

EDIT EDIT: The Thor trailer had been pulled, but IT'S BACK, BITCHES! At least for a little while, you can see it below. Again.

EDIT: Gahdamn it! They pulled the trailer from everywhere. You'll just have to take my word for it and drop yer panties on your own. Then send pics. kthanxbye.

========================================

THOOM THOOM THOOM! DIDDY DIDDY THOOMTHOOM!

So the trailer for Thor looks

THOOM THOOM THOOM! DIDDY DIDDY THOOMTHOOM!

pretty amazing. And the soundtrack makes me want

THOOM THOOM THOOM! DIDDY DIDDY THOOMTHOOM!

to go start a war and eat a cheeseburger. Make that a GOD DAMN CHEESEBURGER AND ALSO PUNCH A RACCOON! Holy smokes, how do you take gold armor, a rainbow bridge, a winged helmet and NOT turn it into the 2010 version of Xanadu? I don't know, but here Marvel: TAKE ALL MY MONIES AND THANK YOU!



Thor - Los 5 minutos de la Comic - Con
Uploaded by cine365. - Watch feature films and entire TV shows.

 

via www.traileraddict.com

briank: BrianKaneOnlineBest Articles Ever

Kevin Kelly’s “Cool Tools” blog is calling upon the web to pull together a list of the best magazine articles of all time (via BoingBoing). Given the propensity of the web to generate all manner of “best of” and “top ten” lists and other rankings, I’m a little surprised I’ve never seen anyone try this before, but I think the rather transitory nature of magazine journalism and the sheer overwhelming volume of material generated by periodicals probably put the idea pretty far down on the list of thing people were looking to rank. Nevertheless, what’s already been generated is a pretty awesome list of outstanding pieces of work, and the refinement of the list is ongoing.

Because the bias of the list is for things than can be read online, much of the material being considered is pretty recent, but as magazines begin to put their back issue archives online it is getting easier to find material from the ’80s, ’70s, even the ’50s. Some of the first ones Kelly listed are well-established classics: John Hersey’s “Hiroshima”, Vannevar Bush’s 1945 Atlantic article that presages the computer era, and pieces by Hunter Thompson, Joan Didion, Norman Mailer, Tom Wolfe, et.al. David Foster Wallace is rising to the top of the list as people begin to contribute, and anyone who reads The Atlantic or The New Yorker with any regularity will recognize names like James Fallows, Malcolm Gladwell, Rebecca Mead, and Calvin Trillin.

You could easily cobble together a reading list from this that would keep you busy for a long, long time. I know I am looking forward to doing just that, but let me also offer some recommendations of articles I’ve already read that are on the list that might be a good starting place for you:

“The Mountains of Pi” — Richard Preston, The New Yorker, March 3, 1992. Two mathematician brothers in New York who built a supercomputer in their apartment to calculate Pi. Truly memorable.

“Driving Mr. Albert: A Trip Across America With Einstein’s Brain” — Michael Paterniti, Harper’s Magazine, October 1997. A first-hand account of the author’s encounter with Thomas Stoltz Harvey, the pathologist who autopsied Albert Einstein and kept his brain for decades. The Harper’s article Kelly links to requires a subscription to read online, but Paterniti published the piece as a book a few years later.

“The Pitchman” — Malcolm Gladwell, The New Yorker, October 30, 2000. Gladwell profiled Ron Popeil, the guy behind Ronco and all those “as seen on TV” products, and how he actually invented many of them himself.

“The Peekaboo Paradox” — Gene Weingarten, Washington Post Magazine, January 22, 2006. Gene Weingarten is one of my favorite journalists, and this story about a DC-area rent-a-clown who calls himself “The Great Zucchini” is a masterpiece.

“Fatal Distraction: Forgetting a Child in the Backseat of a Car Is a Horrifying Mistake. Is It a Crime?” — Gene Weingarten, Washington Post Magazine, March 8, 2009. Another Gene Weingarten piece that you may even remember, since it was published only last year and won him a Pulitzer Prize. Even if you read it then, it’s worth reading again.

“The Anosognosic’s Dilemma: Something’s Wrong but You’ll Never Know What It Is” — Errol Morris, The New York Times, Opinion, June 20, 2010. This is the first part of a series of articles by Morris that the NYT recently ran (he is an occasional contributor there, but his stuff is always fascinating. I actually thought the third article of this series, which is about the end of Woodrow Wilson’s presidency, when he was seriously debilitated after a severe stroke, and how his wife and doctors hid the condition from everyone, was the best one.

See Also

sman: Stevey.comThe History of Vans

Vans — loved them what I was young. Gave up on them while skating as the uppers didn’t last. Back to them cause I love them.

Read the history of Vans

davebug: GeekLifeReal Life: July 30-August 1: Woot-Shaped Hole Edition

Hi, y'all! It's the first weekend without some of our number, which is a bit lonely, but now is the time to seize the moment and forge bravely ahead--or, let's just hang out a bit, shall we?

This morning, after a considerable fast, I had a cholesterol test at the Dr.'s One the way into work after that, I had a delicious bacon cheeseburger. At 10:30 a.m. I am a grown up.

Tonight, I am going to a demolition derby @ a county fair across the river! Crashing and crunching! Fried things! Those of you staying on the west side maybe should grab a bite to eat--where are you going to go?

Tomorrow, I will run, prime and paint, clean, and other boring things. After all of that business, I am going to see the Rats and People Motion Picture Orchestra score "Haxan" at The Old Rock House! Very excited! You should go to that too! (Oh, yeah--Theodore is playing, too, and they're not half bad.)

Sunday--cookery followed by watching something Horrible.

 Now you go:

kickerofelves: Largeheared BoyBook Notes - Adam Rex ("Fat Vampire")

In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.

Adam Rex's young adult novel Fat Vampire is a unique take among the current bevy of supernatural novels. The protagonist is a pudgy, 15 year-old just-turned vampire, who has to face all the anxieties of his teenage years along with his recent life-changing experience.

Essentially a coming of age story, Fat Vampire is filled with humor and a tightly wound plot that Rex moves along at a thrilling pace. Rex's dialogue is spot on and his characters are always believable, we all knew these characters in high school (minus the vampires, of course). If you are looking for a quick, fun read this summer (regardless of your age), read this book.

The Austin American-Statesman wrote of the book:

"Rex weaves supernatural goings-on like Doug's visit to vampire headquarters together with the stuff that any high school student (undead or not) struggles with — fitting in, loyalty and love. There's also a television producer tracking Doug to help boost ratings for his reality show, "Vampire Hunter." The result is a chaotic and entertaining mishmash of alternating points of view, scenes and stories. It shouldn't work, but it does thanks to Rex's deft use of humor and pacing."


In his own words, here is Adam Rex's Book Notes music playlist for his novel, Fat Vampire: A Never Coming of Age Story:

I admire authors who listen to music in order to evoke a particular mood, or to help themselves reminisce, if for no other reason than they have spectacularly thoughtful answers for exercises like this. Music is very important to me as I write, though it serves as more of a source of comfort than inspiration. When I write I like a climate-controlled space, a good chair, coffee, and music. Preferably music I really like, though if I'm as immersed as I should be in my story it could be almost anything. Even reggae.

So this playlist constitutes more of an imaginary soundtrack than anything else, though lord knows if anyone ever actually made a Fat Vampire movie they'd probably fill it with a bunch of Modern Rock bands I've never heard of.

Fat Vampire follows Doug Lee, who becomes a vampire purely by accident. Someone like him would normally never be considered for that rarefied club–he's fifteen, short, and doughy, and now he always will be. He feeds on the blood of cows and steals (or attempts to steal) blood from a panda, the female attendees of the San Diego Comics Convention, and the Red Cross.

He wants to stop having to wear a poncho on sunny days. He wants to learn how to turn completely into a bat and not get stuck halfway, like last time. He wants to avoid the crew of the basic cable TV show Vampire Hunters. And he wants the new girl at school, so badly.

He's going to have to decide how much he should ask of life, how much he should take, and just what sort of person he intends to be for the rest of eternity.


Beck – "Loser"

This one's probably kind of self-explanatory if you already read the synopsis above. Beck was a big part of the soundtrack of my youth, and remains really important to me. "Loser" strikes me as a perfect soundtrack song, maybe specifically a perfect opening credits song. It immediately establishes a mood and theme, but with a Dadaist lyrical sense that can't possibly apply to any story particularly (apart from maybe a Beck biopic) and so therefore works as an anthem for everyone's confusion and desperation. I mostly remember high school as a time of confusion, desperation, and hair; but then it was the eighties.


Burt Bacharach – "What the World Needs Now"

One of a few song titles actually mentioned in the text of Fat Vampire. Came out of my long-standing desire to slip an actual conversation I once had with my wife into a book. The conversation went like this:

ME (listening to the song in question): These lyrics are ridiculous. Love is the only thing there's just too little of? What about, um...trees? Or coal?
WIFE: Jaguarundi.
ME: What?
WIFE: There aren't enough jaguarundi. They're endangered. I did a report about them when I was a kid.
ME: Oh. Well okay, there you go.


Art Brut – "DC Comics and Chocolate Milkshakes"

There's an early scene in which Doug and his best friend Jay are visiting the San Diego Comic-Con. I got my start as an illustrator by showing a portfolio around at this con in the nineties, but I just got back from my first SDCC since 1999. I think now that I've misrepresented the modern con a little in my book (the male to female ratio is so much closer to 1:1 than it used to be, for example), but I'm still glad I wrote my little ode to the joys of arrested adolescence. Art Brut sounds like they're glad they wrote theirs, too.


Siouxsie and the Banshees – "Israel"

The object of Doug's desire is foreign exchange student Sejal, a troubled girl who's going through sort of an identity crisis and a crisis of conscience at the same time. She elects to ditch her luggage and remake herself in the image of her kindly foster sister, a Batcave Goth named Cat. There are Siouxsie songs that are more appropriate to my story than "Israel," but in a scene in which the girls are listening to Cat's music (and in which Sejal refers to Siouxsie and the Banshees as sounding "like Bollywood, but slower"), this is the song they're listening to. The book never says so explicitly, but they are.


Future Bible Heroes – "I'm a Vampire"

A tongue-in-cheek song about every vampire cliche I tried to avoid..."I have ever so much money/ I'm gorgeous/ And I can fly/ I survived the Inquisition/ Been a harlot/ Been a queen/ Survived for seven hundred years/ And still look seventeen." I love Stephin Merritt, and indeed even based a major character on how I imagine him to be.

I don't come down much on the side of immortality in my book. I've never found it all that appealing as a concept, and even the physically beautiful immortals in Fat Vampire are eccentric, isolated, and mildly delusional.


They Might Be Giants – "I've Got a Fang"

Another band that's namechecked in Fat Vampire. Doug's friend Jay is a fan of the same kind of nerd rock I was drawn to in high school and beyond. TMBG writes a lot of cheery songs about horrible things, and I realize as I write this that they may have had more of an influence on my overall aesthetic than I realized.


Tim Curry (Rocky Horror) – "Sweet Transvestite"

Doug and Jay fall in with the drama crowd, and so of course they take in a group date performance/screening of The Rocky Horror Picture Show. I took an afternoon to re-watch the entire movie in bits and pieces on YouTube and was pleasantly surprised to find I still enjoyed it. Tim Curry is mesmerizing. And maybe he pulled a bit of a Mesmer on me the first time I saw this movie (at sixteen), because I remember being deeply unsettled by it. It spoke frankly (and outlandishly) about sexuality in ways that were completely foreign to me at that time, and I tried to tap into that mindset while writing Doug. For years his peers have indifferently thought of him as asexual, if they thought of him at all. This leads Doug to try to stridently assert his heterosexuality at every opportunity, and even leads to a sort of casual homophobia that I find repellent now but would have found unremarkable when I was a teenager.


Beck – "Girl"

Hey, it's Beck again. And a very poppy song from Guero about winning the girl, with nonetheless worrying lyrics. From the liner notes they read "...and I know I'm gonna make her die take her where her soul belongs and I know I'm gonna steal her eye nothing that I wouldn't try." I know we're supposed to find bold statements of love endearing, and maybe it's just how I'm wired, but whenever I hear a person say something like "There's nothing I wouldn't do to win her heart" I always think, "Really? Would you kill a guy? Would you feign interest in her hobbies? What if she collects Nazi memorabilia?"


West Side Story soundtrack – "America"

Several of the characters in Fat Vampire win parts in the cast or crew of their high school production of West Side Story. So apart from giving them something to sing during a car ride home, the song also underscores Sejal's push-and-pull relationship with her adoptive country.

I was in my high school production of West Side Story, by the way. I played Bernardo, the fit and passionate leader of the Puerto Ricans. I'll save you the trouble of doing a Google image search for my picture and just confirm that my high school drama department had a dearth of physical fitness, passion, and Puerto Ricans.


Smiths – "Girlfriend in a Coma"

There is an actual girlfriend in a coma in my book, so I couldn't really pass this up. To Doug the girlfriend is more of a source of goods and services than an actual person, and I love the way this song encapsulates that self-involved condition of loving being in love so much more than loving the actual so-called object of your affections. Or that's what I've always thought the song was about, at any rate–maybe I'm screwy.


The Magnetic Fields – "I Have the Moon"

And we end on another Stephin Merritt song as the main characters share a fleeting moment of tender self-discovery before the final credits roll. Merritt has written a few songs about vampires, including one of my favorite Magnetic Fields songs of all time, "Crowd of Drifters." But that song's constant refrain of "I was a traveling salesman" makes it an odd fit for a bawdy teenage vampire tragicomedy.

So who IS the bawdy teenage vampire tragicomedy house band these days? Maybe you people can bring me up to speed in the comments.


Adam Rex and Fat Vampire: A Never Coming of Age Story links:

the author's website
the author's blog
video trailer for the book
excerpt from the book
excerpt from the book

Austin American-Statesman review
The Book Smugglers review
BookPage.com review
books4yourkids.com review
Cafe Saturday review
Casa de Los Nerds review
Chick Loves Lit review
A Curious Reader review
For What It's Worth review
Karin's Book Nook review
Lavender Lines review
Novel Novice review
Parenthetical.net review
Pink Me review
Reading Rants! review
Reading with Tequila review
Stacked review
Stevie Is Not an Octopus review

BSC Review interview with the author
claudiagray interview with the author
Editorial Anonymous interview with the author
Inkpop Blog interview with the author


also at Largehearted Boy:

other Book Notes playlists (authors create music playlists for their book)

52 Books, 52 Weeks (weekly book reviews)
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Largehearted Word (weekly new book highlights)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily music, literature, and pop culture links)
Soundtracked (composers and directors discuss their film's soundtracks)
Try It Before You Buy It (mp3s and full album streams from the week's CD releases)
weekly music & DVD release lists


briank: BrianKaneOnlineSaddest Kitty Picture Ever

So I noticed a bunch of hits from Reddit.com this morning and followed the referrer back to a thread that has this heartbreaking picture. Most of the thread is the usual Reddit nonsense, but the discussion somehow eventually turned around to the subject of the Siege of Leningrad, and somebody Googled up my post about the cats of Leningrad who were hailed as heroes for keeping the rodent population in check during the siege.

I have no idea what the actual provenance of that photo is, and the Reddit thread had nothing of substance to offer, but it’s too easy to imagine something terrible, particularly given the numbers of cats and kittens who needlessly suffer from human neglect. We’ve been having such a wonderful time with our new kitten, Furry Murray, so this picture was a small reminder to me that for many cats, including shelter animals, the realities are pretty bleak.

The shelter where we got Murray still has lots of kittens and cats available. In fact, they’ve had to put intakes on hold because they can’t place out animals fast enough. Many of their cats and kittens are abandoned animals who would likely end up like the kitty in this picture without the shelter’s aid. If you yourself aren’t looking to adopt a cat, maybe you’d consider making a donation to a shelter in your area. Or do I have to make you look at another sad picture?

See Also

dogmaticme: Life and Timesurlesque: 19 More Sad Keanu Photoshops, Now With Helmet -...



urlesque:

19 More Sad Keanu Photoshops, Now With Helmet - Urlesque

)

I have this theory that he is totally aware of the Sad Keanu phenomenon and will soon be sad in increasingly funny outfits and places.

dogmaticme: Life and Timessoupsoup: mijatovic: Representative Anthony Weiner going total...



soupsoup:

mijatovic:

Representative Anthony Weiner going total fucking apeshit on Republicans regarding the 9/11 Healthcare Bill which was rejected. Now when can I see Obama throw down like this. Queens represent!

Anthony Weiner is a hero.

kickerofelves: Largeheared BoyShorties (Edward Sharpe and the Magnetic Zeros, Literature's Precocious Narrators, and more)

The Boston Globe profiles Edward Sharpe and the Magnetic Zeros.


The Millions examines several of literature's precocious narrators.


Stream the new Autolux album, Transit Transit at the band's MySpace page.


Little Gold Men interviews legendary singer-songwriter Merle Haggard.


The Seattle Times profiles singer-songwriter Joanna Newsom.


Persnickety Snark is counting down the top 100 YA novels of all time.


Lightspeed Magazine interviews Cesar Alvarez of the Lisps about the influence of science fiction on the band's music.


Digital Spy interviews former Go-Gos guitarist Jane Wiedlin about her new comic book Lady Robotika.


USA Today lists new books for summer reading.


Time lists the best (and worst) summer songs.


The Quivering Pen responds to the New Yorker's 20 under 40 list with a list of young writers of its own.


Book Trailers for Readers highlights videos that promote children's books.


GigMaven is a free website that helps musicians book shows at venues in several cities.


Win a $100 Threadless gift certificate and a copy of Adam Rex's young adult novel Fat Vampire in this week's Largehearted Boy contest.


Follow me on Twitter and Stumbleupon for links (updated throughout the day) that don't make the daily "Shorties" columns.


also at Largehearted Boy:

previous Shorties posts (daily links from the worlds of music, literature, and pop culture)

Atomic Books Comics Preview (highlights of the week's comics & graphic novel releases)
daily mp3 downloads
Largehearted Word (highlights of the week's book releases)
Try It Before You Buy It (mp3s and full album streams from this week's CD releases)
weekly music & DVD release lists


zadcat: montreal city weblogPastor denies claims of fraud, deception

The Ahuntsic pastor accused of defrauding his flock is denying their claims he asked for loans and has failed to pay them back. But court cases against him are piling up.

zadcat: montreal city weblogOttawa’s car exhaust rules not helping: study

Here’s a big surprise: the federal government’s guidelines for automobile design are having zero effect on the greenhouse gases emitted by Canada’s vehicles and never will.

Fraise: Beacon BroadsideAn Unsolved Murder, A Wave of Hysteria, and Deaths in the Desert

Today's post is from Margaret Regan, author of The Death of Josseline: Immigration Stories from the Arizona-Mexico Borderlands. Read more about Beacon's immigration titles at "Beyond SB1070" on Beacon.org.

book cover for The Death of Josseline Robert Krentz was a modern cowboy. When he patrolled his ranch northeast of Douglas, he rode an ATV, not a horse. No matter. A rancher was a rancher and Krentz's family had run cattle on this 35,000-spread since 1907. Krentz had been trying to restore the parched land, and his innovative water system helped convert a portion of it into a wildlife habitat. In 2008, just after its 100th anniversary, the Krentz ranch was inducted into the Arizona Ranching Hall of Fame.

Krentz was a big man, tall and heavy, and, at fifty-eight, prematurely snowy-haired. He was known as a gentle giant, given to helping out needy border crossers in this heavily traveled migrant corridor. They walked his land regularly, and once his house had been broken into. "If they come in and ask for water, I'll still give them water," he told a PBS interviewer back in 1999. "That's just my nature."

Saturday, March 27, 2010, was a cool day for early spring, only 50 degrees or so. Krentz rumbled out on his ATV to check his water lines, his dog trotting along beside him. There'd been some trouble lately in these rural Cochise County grasslands. Residents blamed migrants for a rash of home robberies. And the day before, Krentz's brother Phil had spotted some drug mules on their ranch and called the Border Patrol; agents arrested eight undocumented immigrants and picked up nearly 300 pounds of marijuana.

At some point Saturday, Rob radioed into Phil; over the crackly airwaves Phil heard the words "illegal alien."

That was the last time Rob Krentz's family heard from him. Hours later, his body was found out on his ranch, still on his ATV. He'd been shot multiple times; his dog lay wounded beside him. The death of Robert Krentz changed the conversation about immigration in the United States. The killing made national and even international news. The county sheriff pleaded for calm, noting that the murder was unsolved (it remained unsolved as of July 2010), but that didn't stop anti-immigrant groups from asserting flatly that Krentz had been shot in cold blood by an undocumented immigrant, or felled by a Mexican drug dealer. Angry citizens around the country demanded that the federal government take action.

With immigration suddenly in the forefront in an election year, politicians rushed to Cochise County to get their pictures taken with local ranchers. The ranchers were distraught over the death of their neighbor, and they worried that the murder signaled an uptick in violence. In Phoenix, state senator Russell Pearce took advantage of the fears to push through the controversial SB 1070. Pearce had had a long career crafting anti-immigrant bills, including an English Only law. SB 1070 was his most far-reaching yet.

The law didn't begin to address the issues of smuggling and drug dealing that Pearce and company used to justify its passage. Instead, it took aim at the immigrant on the street. SB 1070 would require local police who had stopped a suspect for some other reason—say, a traffic violation—to inquire into a person’s legal status if the officer had a "reasonable suspicion" that the person was in the country illegally.

Civil libertarians saw the bill as an extraordinary expansion of police powers, and activists predicted racial profiling. The anti-immigration side contended that it allowed the state to do a job that the federal government was failing to do.

Governor Jan Brewer signed the bill into law at the end of April 2010; it was to go into effect at the end of July. Surveys reported that 70 percent of Arizonans supported SB 1070. So did a majority of Americans. A strong anti-immigrant stance turned out to be a good tactic politically. Brewer was in the middle of an election campaign, and her poll numbers shot up immediately. Senator John McCain, in his own battle for the Republican nomination, bolstered his sagging numbers with tough new talk about the border.

Still, the Obama administration filed suit against the law on constitutional grounds, saying it usurped federal authority to regulate immigration. Critics assailed the president, accusing him of failing to seal the border. Shortly after, trying to deflect the political fallout, Obama and Homeland Security secretary Janet Napolitano announced the deployment of National Guard troops to the Southwest border. About 524 of those soldiers were headed to Arizona, along with several hundred Border Patrol agents and new Immigration and Customs Enforcement officers, and a host of new military hardware.

Just before the troops arrived, a federal judge blocked key components of SB 1070 from going into effect as scheduled, and the case seems sure to wend its way ultimately to the U.S. Supreme Court. The election-year hysteria over immigration was out of sync with the facts. In 2010, the numbers of immigrants crossing into the United States were way down from the astonishing numbers that prevailed throughout the Bush administration years. In 2000, the Border Patrol Tucson Sector reported some 616,000 apprehensions. By 2009, in the midst of the economic downturn, the arrests dropped to some 250,000. In 2010, the downward slide continued; at the end of the third quarter of the fiscal year, the Tucson Sector had tallied about 170,000.

And much of the border was sealed; a wall already stretched across 307 miles of the 376- mile line between Arizona and Sonora. FBI stats indicated that crime was down all across southern Arizona. These were inconvenient truths for the politicians, who largely ignored them. Governor Brewer, now in the national limelight, asserted that "the majority" of undocumented immigrants were working for the Mexican drug cartels. Her claim contradicted the Border Patrol's own data, which showed that about 10 percent of captured migrants have criminal records.

Playing on the grisly reports coming out of Mexico about drug cartel slaughters, Brewer went on to declare that illegal immigration had triggered a wave of "beheadings" in the Arizona desert. Again, the assertion was flat-out false: the state's medical examiners in the state said they had seen no such bodies.

Immigration hysteria has historically been linked to economic fears, and in America's worst recession since the Great Depression, the airwaves were full of venom toward "illegals." Arizona state senator Al Melvin told me on a Tucson radio talk show that it was the state's undocumented who had caused Arizona's economic woes. His argument crazily sidestepped not only the Wall Street collapse but also the inherent weakness of Arizona’s economy; the state relies heavily on the construction of new houses for new residents seeking sunshine. After the housing bubble burst, Arizona was hard hit. But these facts didn't stop Melvin and others from putting the blame on undocumented farm workers, hotel cleaning women, roofers, and gardeners.


During all the tumult, hardly anyone was talking about Arizona's humanitarian crisis—the wholesale deaths of migrants in the desert.

On February 26, a month before Rob Krentz died, Edwin Aroldo Estrada, thirty-two, perished from complications of pneumonia in Sierra Vista, some fifty miles west of the Krentz ranch. The day after Krentz's death, Ballardo Huerta Avila, twenty-seven, died on the Tohono O'odham Reservation, west of Sells.

On April 27, days after Brewer signed SB 1070, Elvira Brambila-Vallejo, forty-four, died of peritonitis in the desert northwest of Tucson. Her coyotes kicked her out of the van and left her to die by the side of the road, her young son at her side.

On May 26, Martín Olguin-Lozoya, a strapping six-foot-two native of Nogales, Sonora, died just minutes into his American journey. Unlike Lilian Escalante Abrego, who survived a train ride all the way from Honduras to Arizona, Olguin-Lozoya lasted just a few miles on the Union Pacific Railroad. Near the picturesque town of Tubac, he fell between two train cars and was crushed to death. June brought the death of a pregnant woman, Maria Reyes Ramirez, and her unborn child in a car crash near Benson.

With every mile of wall built, with every increase of manpower in the Border Patrol, the death toll has risen. The year Josseline died, 183 bodies were found in southern Arizona. The next year, fiscal 2009, the number shot up to 206. And midway through 2010, the deaths were on pace to surpass that number. At the end of June 2010, Kat Rodriguez had counted 153 bodies, twenty-eight more than the 125 she tallied at the same time the year before.

July 2010 turned hot and dry, with no sign of the cooling monsoon rains. Dozens died from dehydration and exposure, most of them perishing in the far reaches of Tohono O'odham land. By late in the month, fifty-eight migrant bodies had been brought to Dr. Bruce Parks's morgue in Pima County. It was one of the medical examiner's worst months ever. He had so many bodies that once again he ran out of room in his morgue. For the first time since 2006, he had to put the county's refrigerated truck back into service as a portable morgue, storing the bodies in the big rig on a lot out back. Inside his building, he had room for about 200 full-size bodies; the truck gave him space for about twenty-five more. But he had a lot more than 225 corpses on hand. Dead migrants' corpses dry up and shrivel out in the desert, or they're scattered by animals, and "a lot of the bodies are only partial remains," Dr. Parks said. They're small enough that he can squeeze more than one set into each slot. "I probably have about three hundred people right now," he said. "And most of those are border crossers."

kickerofelves: Largeheared BoyDaily Downloads (Lollapalooza Sampler Album, Mynabirds, and more)

Every day, Daily Downloads offers 10 free and legal mp3 downloads, plus free and legal live sets from around the internet.

Today's free and legal mp3 downloads:

The Biters: "Hang Around" [mp3] from The Biters EP
other Biters posts at Largehearted Boy

Black Prairie: "Turn It Into Gold" [mp3]
other Black Prairie posts at Largehearted Boy

Gospel Claws: "Summer Nights Lakeside" [mp3] from C-L-A-W-S (out October 26th)
other Gospel Claws posts at Largehearted Boy

Justin Stens & The Get Real Gang: free and legal Justin Stens & The Get Real Gang EP [mp3]
other Justin Stens posts at Largehearted Boy

Kim Taylor: "Lost and Found" [mp3] from Little Miracle
other Kim Taylor posts at Largehearted Boy

Mynabirds: "Let the Record Go" [mp3] from What We Lose In The Fire We Gain In The Flood
other Mynabirds posts at Largehearted Boy

Paleo: "World's Smallest Violin" [mp3] from A View of the Sky (out September 28th)
other Paleo posts at Largehearted Boy

Social Studies: "Holler Boys" [mp3] from Wind Up Wooden Heart
other Social Studies posts at Largehearted Boy

Unicycle Loves You: "Justine" [mp3] from Mirror, Mirror
other Unicycle Loves You posts at Largehearted Boy

Various Artists: free and legal SPIN presents Park Life Lollapalooza compilation [mp3]


Free and legal mp3s of live performances at other websites:

Cap'n Jazz: 2010-07-25, Brooklyn [mp3]
other Cap'n Jazz posts at Largehearted Boy

Man or Astroman?: Daytrotter session [mp3]
other Man or Astroman? posts at Largehearted Boy


also at Largehearted Boy:

other daily free and legal mp3 downloads

2010 Bonnaroo downloads
music festival downloads
Try It Before You Buy It (mp3s and album streams from weekly CD releases)
weekly CD and DVD release lists


j2323: del.icio.us/jmKeyboard shortcuts for positioning windows in Mac OS X

from Tony Finch. great stuff, I used to use shortcuts like this all the time on my Linux desktops to avoid rodentage

zadcat: montreal city weblogLondon launches their Bixi system

As London launches its version of the Bixi, a Guardian writer comes here to check out how it works (with a link to Da Gryptions’ immortal anthem). The Gazette notices that London has 6000 bikes, 1000 more than in Montreal – but it’s a much bigger and more populous city, so that’s not unreasonable. (BBC says it has 5,000 bikes now and plans to ramp up to 6,000 later. Either way, all the bikes were made in Canada.)

It’s also a nice irony that our lack of a helmet law is one of the things that has contributed to Bixi’s popularity: in Melbourne, you’re fined if you aren’t wearing one, no matter what you’re riding, so their Bixi-type system isn’t thriving. It’s the sort of thing that flourishes on spontaneity.

It’s less of a nice irony that we end up paying more for our Bixi because we can’t benefit from it five months a year. Also, users want more Bixis.

zadcat: montreal city weblogPlace d’Armes: next fall – maybe

Now the city is saying work on Place d’Armes will be completed by fall 2011: people working nearby miss the square and the trees that used to be there. Good for tourism to have the square in devastated condition for two summers in a row?

zadcat: montreal city weblogPlaza Swatow opens Sunday

Cédric Sam has a piece about the evolution of Plaza Swatow in Chinatown, which is set to open on Sunday, and points out that its name in Chinese has nothing to do with Swatow, a city name more usually transliterated now as Shantou, 汕頭. I’m assuming its ground floor is something like a small mall, or else the “plaza” part of the name will be equally misleading.

j2323: del.icio.us/jmDraft Functional Spec of Hadopi "securisation" software

Crazy suggestions leaked from the French anti-piracy authority. Mandatory host-based and router-based anti-piracy software and firmware with blocklists of suspect keywords, suspicious applications, TCP ports, protocols; detect suspicious apps installed; detect use of open wifi; detect use of anti-filtering/anti-blocking "workarounds" (ie. VPNs and Tor). Log all this to a dual journal, one of which will be encrypted using key escrow (presumably for use in prosecutions), retaining data for a year. Basically, a mandatory snooping infrastructure. Where would this leave Macs and Linux for French users?

anildash: Anil DashAbility Maps, #deaf Mayors and $1000 Strollers

Last week marked the 20th anniversary of the landmark passage of the Americans with Disabilities Act, and among many observances was an event at the White House that was co-sponsored by the FCC and the Department of Commerce. There's a pretty good overview on the FCC blog and a great detailed review from the folks at Purple.

I was fortunate enough to participate, not merely representing Expert Labs but also as someone trying to articulate how innovations from the world of startups and web technology could really make an impact in making more areas of society truly accessible to all.

The analogy that I kept coming back to during the whole day of conversations at the White House and at the Department of Commerce's brainstorming session later in the day was that the ADA is famous for being the inspiration behind curb cuts, the accessible ramps we see on every sidewalk at every street corner. But curb cuts didn't just enable those who were in wheelchairs to get around more easily. They're also a major reason why a market exists today for Bugaboo or McLaren strollers. They're the reason that Samsonite suitcases 20 years ago didn't have wheels on them, but you'd be hard-pressed to find a piece of luggage today that doesn't have wheels. I'm not saying the highest purpose of the ADA was to enable people to buy thousand-dollar baby buggies, but making things accessible for all has the side benefit of yielding tremendous benefits (and, not incidentally, opening huge new markets for business) for everyone regardless of ability.

Ability Maps

Which leads to the specific request I have for my friends and associates who've got some time and tech talent on their hands: Ability Maps. One recurring theme from the advocates I talked with at the ADA anniversary event was that it's hard to know which physical places are truly accessible to people with various disabilities. Some municipalities have information about individual facilities like transit systems, but it can be hard to find or out of date, and even in the best cases often doesn't cover private businesses or shopping and recreational areas.

But we're in the middle of a huge revolution in location-based services like Foursquare, right? Isn't everyone from Facebook to Twitter to Gowalla clamoring for a way to distinguish themselves in the race for places?

Well, here's an idea: Let users of a service like Foursquare log in to a site and identify themselves by any accessibility concerns that they have. A user could log in with his social network identity, check a box that says he's visually impaired or has difficulty climbing stairs, and then give the site permission to log his check-ins to various venues. The terms of service could specify that no individual information would ever be shared, only aggregated data.

Once a few users had signed in and check-ins started to be recorded, it'd be possible to ask "Which venues in this area are popular amongst people who've identified themselves as blind?" If there's a restaurant with a disproportionate number of check-ins from blind diners, then odds are, they're doing a decent job of accommodation. Found a theme park that's popular with patrons who use a wheelchair? It'll probably be suitable for other folks on wheels, too.

In short, users label themselves with self-descriptive tags. Then they check in to venues as normal. The site that's tracking them aggregates their visited venues by tags, and allows maps (or simple search queries) by tags to show patterns or popular venues. Voila: An imperfect, but perfectly usable, map of the places that welcome people of all abilities. And nobody is individually trackable to the places that they hang out.

Does it already exist?

Interestingly, this sort of thing is very nearly possible right now. Twitter users can tag themselves on sites like WeFollow already. Foursquare's venue pages already show who has checked in lately, but a separate list could tell us about the self-identified traits of those who did. Our ThinkUp app (formerly ThinkTank) from Expert Labs does a great job of aggregating social networking messages on Twitter and Facebook; It could be part of the toolkit for this sort of thing, too.

But maybe we could go even simpler. If we find places that are accessible (or maybe ones that are inaccessible) we could just use hashtags as part of a shout when checking in to a venue. "I just ousted @somebody as the mayor of Starbucks on @foursquare!" could evolve into something far more powerful simply by becoming "I just ousted @somebody as the mayor of Starbucks on @foursquare! #wheelchair".

I'm certainly not expert enough to know what the hashtags should be, or all the ways that people could identify themselves appropriately in an ability-aware check-in aggregator. But we're definitely very close to a lightweight way of identifying and rewarding the places that allow everyone in, and making clear which places don't. It doesn't require any new regulations or onerous processes, just a simple set of conventions and some good word-of-mouth amongst those who want to make the world a more accessible place. And this sort of scrappy, rough-around-the-edges imperfect solution is the kind of thing that government just can't do very easily for itself. That makes it perfect for us to do for each other.

If you build it, I promise I can help bring it to the attention of the folks who regulate these sorts of things, and will shout from the rooftops about your new site and its ability maps. Got a promising start on this? Let me know and I'll help you make sure it succeeds.


lunaqueen: we*heart*printsIntroducing Hey Stuff!

So a few people have noticed that I've quit updating - honestly I am still updating... but now I'm doing it over here - http://www.heystuff.com

I've wanted to post about other things besides just prints for a few years now, and hey stuff! is my way of branching out. It'll be filled with the same sort of art that we heart prints has always been, but it's a much wider array of art related objects - originals, books, decorative pieces, toys, sculpture, etc will all have a home here. I'm also adding in kids stuff since my family now includes a happy and hilarious almost two year old who I spend a lot of time trying to find cool things for.

I'm not going to delete We Heart Prints, but the archives have been transferred to Hey Stuff and eventually the url will redirect there. If you want to keep receiving only my posts about prints all you have to do is either visit http://www.heystuff.com/prints/, or subscribe to this feed: http://www.heystuff.com/.services/blog/6a0120a5b9a04f970b0133ec97d618970b/search/atom.xml?filter.q=prints

It's been fun these past few years, I've met so many truly wonderful people and have really been encouraged by all the positive feedback to keep blogging and keep searching for art to share. Thank you all for hanging out with and supporting me, I hope you'll continue to do so over at Hey Stuff!

ba: B.A.'s Weblogpndbrnd: tulletulle: popquizkid: alexa-llent: sufferbus: You...



pndbrnd:

tulletulle:

popquizkid:

alexa-llent:

sufferbus:

You don’t win friends with salad.

 This is probably my favorite/most quoted Simpson’s episode ever.

FOR SHEBA.

second only to this.

zadcat: montreal city weblogThen and now on Saint-Denis

Archives de Montréal compares a 1914 view of lower Saint-Denis with a Google Streetview of the same view. It seems likely that it’s some of the same basic houses on the left which have been brutally pared down to become the commercial façades we know now.

zadcat: montreal city weblogFestival tries to save downtown park

Folks trying to save tiny Parc Oxygène in Milton Park are holding a festival to get more people interested in supporting them.

bturner: OMG, IT'S FULL OF ARTHey Stuff! is a neat new art weblog run by some friends. Like...



Hey Stuff! is a neat new art weblog run by some friends.

Like Art? Hey Stuff! is a curated list of art products of all sizes types and price ranges.

July 29, 2010

waxpancake: Waxy.org Links10k Apart

build a web app in less than 10k, though you can use jQuery/Prototype and Typekit  

lcbo: Jesus ChrisRT @cyberdsignclan: GET THIZZED THIS WEEKEND WITH LCBO’S NEW SUMMER Apartment Wine and...

RT @cyberdsignclan: GET THIZZED THIS WEEKEND WITH LCBO’S NEW SUMMER Apartment Wine and Oversized Dormitory Liquor, Boxxed Chuggables and …

raypride: ray pride dot com"This Is 606" is waking up

When this interminable book and video wrap up, the "Chicago-centric" photography/text project at this is 606 will be posted on a daily basis again. Soon... Here's a slideshow of work that was in the just-ended Chicago Underground "Even Still" group show at the Siskel Film Center; the man surrounded by letters is changing the Chicago Theater marquee, which can be seen from the Siskel windows. (The

briank: BrianKaneOnlineThe Hot Hot Hot Top Ten

The Top Ten Hottest Years Since Meteorological Records Have Been Kept:

  1. 2005
  2. 2007
  3. 2009
  4. 1998 (hey, how’d that get in here?)
  5. 2002
  6. 2003
  7. 2006
  8. 2004
  9. 2001
  10. 2008

Noticing a trend? No? Maybe this NY Times infographic might help:

The first six months of 2010 have already cinched this year taking the #1 spot on this list.

You might like the NYT article that graph came from. It’s actually about how Congress and the Obama Administration are avoiding bringing up the climate bill that desperately needs passing. This Orion Magazine article by author Bill McKibben is even a little more pointed.

And for the denialists among you, a different Top Ten List: Ten Key Indicators That Global Warming is Undeniable. Stick that in your teabag and drink it.

See Also

Shadowkeeper: defective yetiThe Pinnacle

Over on reddit, someone asked users to recount their “best one-liner moments“. This is easily mine:

I was in a high school humanities course, and the philosophy instructor was talking about the “essence” of things. For example, he said that a clock which stopped telling time could no longer be considered a clock, because the telling of time is the “essence” of clockness.

After giving a few more examples he plucked an empty paper cup from his desk, ripped out the bottom, and held it aloft. “What about this?” he asked the class. “Is this still be a cup? I would say not.”

To which I replied, “I’m sorry, but I just don’t think your argument holds water.”

Pretty much the pinnacle of my career as a smartass.

Fraise: Beacon BroadsideLink Roundup

From excerpts to interviews, blog posts to online forums… Here are just a few updates from this week.

Gail Dines, author of Pornland, appeared on CNN News and in the Boston Globe this week, discussing "gonzo" pornography's grip on the young minds of an entire generation. Dines was also mentioned in a recent article on the website Independent Woman which discussed how porn addiction can ruin a marriage.

"It's time for a spiritual awakening in which we turn from obsession with future salvation and begin to savor and save the world that we are in." Rev. Dr. Rebecca Parker, co author of A House for Hope, in "Oil Spill Spirituality" featured on the Washington Post's On Faith.

Charles Euchner received an amazing review in the Boston Globe for his book Nobody Turn Me Around documenting the 1963 march on Washington. "Euchner's true contribution is the panoramic view he affords of this pivotal event."

Are you a pink slip away from being uninsured? Danielle Ofri talks about a new class of patient: recently laid-off without insurance.  

Fred Pearce and his latest book, The Coming Population Crash, were featured on PRI's The World. Join in on the conversation with an online forum with Pearce at PRI's The World Science.

In his book, The Boys from Little Mexico: A Season Chasing the American Dream, Steve Wilson portrays an all-Hispanic boys' soccer team as they push forward to win the Oregon state championship. An excerpt, complete with brilliant photos, can be found at This Is American Soccer, and a wonderful review appeared on the Aztexan blog.

Dylan Edwards, who is at work on a graphic book about genderqueers and FTM transsexuals, had his picture snapped at Comic-Con and is part of this great roundup of LGBT comics folks at the Prism Comics blog. 

kickerofelves: Largeheared BoyBook Notes - Justin Kramon's Own Music for Finny

In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.

I have already expressed my adoration for Justin Kramon's debut novel Finny in my preface to his original contribution to the Book Notes series.

Today, Justin shares and discusses the music he personally wrote and recorded while writing this wonderful book.

The Financial Times recently wrote of the book:

"Imagine Charles Dickens had been bundled into a time machine, given a stack of Judy Blume novels to read en route to the 21st century, then asked to write a coming-of-age tale set in modern America. He might well have produced something along the lines of Justin Kramon's gently charming and slyly subversive debut novel, which combines old-fashioned, episodic storytelling with frank descriptions of modern love and sex."

In his own words, JUstin Kramon shares and discusses the music he wrote and performed for his debut novel, Finny:


I used to have the idea that it would be exciting to be a writer. I thought there were parties involved. I thought it was a license for socially-acceptable binge drinking. I thought you got some kind of assistant.

I don't know if my idea of the writer's life came from watching the movie Capote, but the truth, I realized, is that being a writer is actually very close to spending your life in a mental institution. I don't leave my room for more than an hour all day. I look ruffled and out-of-place when I do. In the world, people give me quizzical looks when I ask if they've read Proust. An exciting morning for me involves a choice of breakfast cereals.

For the longest time, I've been looking for another career that will have me. No one has called yet, but I haven't given up the dream. Once in a while, I get a chance to pretend I do something else all day, but the neighbors usually put a stop to it, especially if it involves cymbals or agricultural equipment.

So when the opportunity arose to record some piano music based on my novel, I jumped on it. I composed a few themes for piano, inspired by scenes or characters in my book, and used them as a bed for improvisation. The purpose was to capture some of the ideas or feelings in my book in a different cage, just to see what would happen.

Below are mp3s of the four tracks I recorded, along with descriptions of how they relate to my novel, Finny.


Justin Kramon: "Late Night, Early Morning"

Even though there's a lot of humor in my book – or maybe because of that – I didn't want to abandon the deeper feeling that had moved me to write the novel. When you're creating comic characters, it's easy to start making fun of everyone. But most people know what it's like to be around a very witty person who makes fun of everything: it starts out entertaining, but quickly becomes tiring.

I wanted my book to have a heart to it, and for people to feel comfortable in it, like they were being invited into a good friend's apartment. So I tried to keep in mind the generous type of humor that writers like Charles Dickens employ. There's a warmth to the way Dickens treats his lovably quirky characters, even though I'm sure there was also a lot of bitterness and anger and despair. He just never allows it to take over.

This piece – which was the first I performed at the recording session – was meant as a guiding force for all the recordings. The theme is simple: a partial scale, repeated and embellished over two chords, and a driving rhythm underneath it all. That's what I wanted in the book: simplicity, emotion, and momentum. The title of the piece comes from a scene late in the book, when Finny stays up late with a man she's not in love with, thinking about the man she would rather be with.


Justin Kramon: "Coffee Time"

One of the central characters in my novel is a man named Menalcus Henckel, a great pianist who also happens to be a narcoleptic. His sad history of falling asleep during performances has understandably gotten in the way of his performing career. When Finny meets him, he's a piano teacher, living with his son in a three-room bungalow in the middle of Maryland farmland.

In a lot of ways, Mr. Henckel is down and out, but Finny is charmed by his funny routines, and his almost childlike openness to the world. Finny takes piano lessons with Mr. Henckel in order to spend time with his son, Earl, whom Finny has begun a romantic relationship with. After the lessons, the three of them sit around the Henckels' kitchen table and drink coffee together, and these are among the happiest times in Finny's childhood.

In this piece, I wanted to capture the whimsy and fun of the Henckel house, and also the seriousness with which Mr. Henckel prepares the coffee and goes through all of his routines. The stride bass is meant to give a kind of old-fashioned feeling, which is part of Mr. Henckel's character – but I tried to also combine this with some more modern chords. That's really what I wanted to do in my book: bring a new point of view to a classic story.


Justin Kramon: "Fun in Paris"

Finny's first days in Paris with Earl are probably the most carefree of her life: they stroll around, drink coffee, sleep late, make love in the mornings, have big dinners with lots of wine. It's the easy, comfortable way she'd always hoped love with Earl would be. There are of course more difficult issues and allegiances they need to sort out, but for the time being all of that is suspended.

So this is a short, happy piece, entirely improvised, skipping from one chord to the next without any thought to structure or where it's all going.


Justin Kramon: "Finny in Love"

This was the first musical theme I thought of when I started to imagine this project. I loved the floating quality of these chords, the laid-back rhythm. I could imagine Finny looking out a window, and a sad-sweet feeling she might have if she were thinking about everything that happened with Earl.

One time in the book, as Finny waits for a planned meeting with Earl, I write: "It was a gorgeous, bright, cold afternoon, and Finny liked walking along the tree-lined road, the bare limbs of trees twitching in the wind. There was something Finny enjoyed about these days before Earl arrived, about the anticipation, but also the loneliness itself, like she was standing outside a house where a loud party was taking place...she realized she'd be okay if she were by herself. Not that she wanted to be. But that she could be. She hoped and intended to spend her life with Earl now that he'd come around, but if for some reason it didn't work out, she knew she wouldn't risk all this again. She'd be content with her walks and her studies and the small joys a lonely person experiences: the scent of laundry, sunlight filtered through leaves, dinners with friends, rain tapping on a window. It was enough to get you through."

The whole process of making these recordings was about translating the feeling behind a passage of writing, like the one above, into music, which was a fascinating experience for me – trying to use a new set of tools to express things that are hard for me to say.

I had no idea what I would do with the recordings when we made them, but later on, when Hello King was making my author video, the producer decided to use the piano music as a background for the video, which you can see here.


Justin Kramon and Finny links:

the author's website
the author's blog
video trailer for the book
excerpt from the book

The Book Lady's Blog review
Book Nook Club review
BookMarc Blogpants review
DailyCandy review
Financial Times review
GalleyCat review
Reading Local: Baltimore review
Sugar Lover Book Reviews review

Baltimore Sun profile of the author
Beth Fish Reads guest post by the author
The Book Lady's Blog guest post by the author
Five Chapters short story by the author


also at Largehearted Boy:

other Book Notes playlists (authors create music playlists for their book)

52 Books, 52 Weeks (weekly book reviews)
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Largehearted Word (weekly new book highlights)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily music, literature, and pop culture links)
Soundtracked (composers and directors discuss their film's soundtracks)
Try It Before You Buy It (mp3s and full album streams from the week's CD releases)
weekly music & DVD release lists


dogmaticme: Life and TimesSusan Orlean Weighs In on the "Jeggings" Trend

newyorker:

“On most people they look like hell, but, to be honest, they are very comfortable and functional, and are essential in the fashion silhouette of the moment, which is the inverted triangle consisting of masses of thick Medusa-like hair and a poufy tunic sort of top over pipestem legs and twelve-inch stiletto heels.”…


Read the rest of her post at her blog, Free Range.

Before now, I didn’t know that Jeggings were a thing.

I think that’s either really commendable or incredibly sad.

Hackworth: Unstoppable.org Linksthedailywhat: Strong Is As Strong Does of the Day: North Korea...



thedailywhat:

Strong Is As Strong Does of the Day: North Korea is strong. How strong? Well, the source code of the official webpage of the Democratic People’s Republic of Korea pretty much speaks for itself, doesn’t it? (i.e., very strong).

[biotv / thedailywtf.]

STRONG

kickerofelves: Largeheared BoyBook Notes - Cathy Malkasian ("Temperance")

In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.

I have been creating a list of my favorite graphic novels of all time, and as the list grows smaller, one title remains near the top of the pile. Cathy Malkasian's debut, Percy Gloom, skillfully told (and illustrated) its story, and wholly transported the reader into an alternative world.

Malkasian is back with another stellar graphic novel, Temperance, a dark and literate dystopian fable centered on themes of violence and control.

Booklist wrote of the book:

"Excellent work for both fans and serious literary readers ready to try sequential art."


In her own words, here is Cathy Malkasian's Book Notes music playlist for her graphic novel, Temperance:


During the making of Temperance I didn't listen to a lot of music; it would have been too distracting. Now that the book is done I can look through it and hear some musical illustrations. Here are some selections, chosen intuitively, with an occasional happy coincidence between lyrics and the story.


1. "O Vierge Sainte, rejouis-toi" sung by The Glory of Byzantium

There is a purity of sound here, featuring female voices in an orthodox vespers melody. It's got an ancient, "mythic" feel to it, which fits the context for the opening scenes in the forest (pp 5-17).


2. "Harry Patch (In Memory of)" by Radiohead.

This works well as we survey the world created for the character Lester, to keep him from remembering the trauma he suffered (pp 37-58 ). This is a song about the last surviving UK veteran of World War I. He died (age 110) not long after the song was recorded. The lyrics--his own recollections-- are chilling and tragic. The string arrangement sparkles and churns with emotion. You can listen to this again and again and it just gets deeper.

This and Britten's "War Requiem" (A stirring setting of Wilfred Owen's war poems) should be required listening for anyone who has a casual attitude toward war.


3. "Prelude in D-flat major, Opus 11" by Scriabin, played by Christopher O'Riley

This is a subtle, complex and quiet piece. It goes well with the character of Lester, the recovering soldier (pp 66-74). Listening to these Scriabin pieces is like having a conversation with a very deep and somewhat unpredictable friend. Afterward you feel a little unsettled but very enriched.


4. The Allegretto from String Quartet No. 8 in C minor by Shostakovich best describes the Counter Family ( pp 75-85)

This piece is spun out of insistence, grating repetition, and a purposeful lack of development. It's a sort of methodical mosquito buzzing in your ear. Just right for these characters.


5. I can't think of a better song to describe the plight of the character Minerva than "Heart Like a Wheel" by Kate and Anna McGarrigle. This song and performance are full of longing and resignation. It's really so beautiful, and the imagery in the lyrics goes well with the story, especially as we watch Minerva try to construct a family out of chaos (p. 100-115).


6. "Henry Plainview" from "There Will be Blood" by Jonny Greenwood

This is a fine way to embellish the feelings of the title character when it first encounters a fearsome force (pp 157-161). I really admire Jonny Greenwood's approach to music. Here you find shades of Messiaen, Shostakovich, Bartok, even Ligeti, but it's still Greenwood. He's honoring the folks who came before, but maintains his own solid and beautiful sensibility. This is a great soundtrack that did not get the recognition it deserves. Each of these tracks is a stirring miniature that excites the imagination and emotions.


7. "Sleep" by Eric Whitacre. Sung by Polyphony, led by Stephen Layton

Keeping with Lester's gentle nature, this a good counterpoint to the violent recollections in his dream (p. 186). Whitacre's harmonies are stirring and comforting, but there is still tension in every note of the performance, in a wide dynamic range.


8. "Theme from Valley of the Dolls" by Andre and Dory Previn, sung by K.D. Lang

I love this song, and it seems pretty apt given the character's crumbling life. Minerva finds herself in exile, but can't quite figure out how to get out of her own prison (page 210).


9. Two terrific ambient pieces illustrate the library sequence (page 225):

"Passage" by Allison Sniffin from Meredith Monk's album "Impermanence" and "Requiem for Dying Mothers" by Stars of the Lid

Both of these pieces have timeless and time-altering qualities. They have a lot of sustained sounds, repetition and silence, suggesting eternal, or at least eternally recurring forces.


10. "Fake Plastic Trees" by Radiohead, interpreted by Christopher O'Riley

This seems to describe the deeper transformation which is made plain by the end of the story. I like the name of it, too, especially since there are no fake trees depicted in the book!


Cathy Malkasian and Temperance links:

the author's website
video preview for the book
excerpt from the book (PDF link)

Comicsgirl review
Now Read This! review

Fantagraphics interview with the author
Largehearted Boy Book Notes essay by the author for Percy Gloom
Newsarama.com interview with the author


also at Largehearted Boy:

other Book Notes playlists (authors create music playlists for their book)

52 Books, 52 Weeks (weekly book reviews)
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Largehearted Word (weekly new book highlights)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily music, literature, and pop culture links)
Soundtracked (composers and directors discuss their film's soundtracks)
Try It Before You Buy It (mp3s and full album streams from the week's CD releases)
weekly music & DVD release lists


Marquis: Said the GramophoneBlisters and Blindness

Genesis - "Aisle of Plenty"

When Peter Gabriel's Genesis warns of proliferating poisonous plant-life, it behooves you to listen. Their song "Return of the Giant Hogweed" is a disquietingly prescient example: the titular tree-like weed, which resembles a giant's white umbrella, and which emits a sap that is more allergenic than poison ivy, is aggressively spreading throughout Ontario this summer after sixty years of relative inactivity. As promised, the giant hogweed has returned. In "Aisle of Plenty," Gabriel urges us to "see the deadly nightshade grow," and though we can't see it, we shouldn't doubt its existence. After all, he's earned our trust, and anyway, we can hear the truth of it in the song's sinister last minute, its sonic creeping and multiplying. It doesn't take a botanist to hear what's going on: there's a plant growing out there, one you don't want to tangle with.

[Buy]


Fraise: Beacon BroadsideImmigration Mythology: The Rules Apply to Everyone

The following is an excerpt from "They Take Our Jobs!" and 20 Other Myths About Immigration by Aviva Chomsky. The book was called "An indispensible guide to the current debate on immigration" by the late Howard Zinn. Read more about Beacon's immigration titles at "Beyond SB1070" on Beacon.org

Photo by ianturk on FlickrMyth 7: THE RULES APPLY TO EVERYONE, SO NEW IMMIGRANTS NEED TO FOLLOW THEM JUST AS IMMIGRANTS IN THE PAST DID

One of the most oft-repeated—and most puzzling—comments regarding the debate on immigration goes something like this: "I'm not against immigration, but I'm against illegal immigration. New immigrants should play by the rules, like our parents and forebears did."

The sentiment reveals a lot about how we've been taught to think about U.S. history: we've been taught to think of this as a country of white, voluntary immigrants. The history of people who don't fall into that category is incidental, rather than central, to the story we learn in school. "The rules," though, were different for Europeans than for Africans, Asians, and Native Americans. For the latter, "the rules" meant enslavement, exclusion, and conquest.

What the people (generally of European origin) who point to "the rules" ignore, moreover, is that when their parents and grandparents came to the United States, they in fact did exactly what so-called "illegal" immigrants are doing today. They decided to make the journey, and they made it. All they had to do was get together the boat fare. The rules were different then. U.S. law explicitly limited citizenship and naturalization to white people. Nonwhites, however, were denied both entry and citizenship. Through a complex process of omission and commission, the law dictated open immigration for white people and restricted immigration for people of color. Immigration and naturalization law created, in the words of Aristide Zolberg, "a nation by design."

book cover for They Take Our Jobs Between 1880 and World War I, about 25 million Europeans immigrated to the United States. They did not have visas or passports. A very small number of them—about 1 percent—were turned back at Ellis Island because they were deemed to be criminals, prostitutes, diseased, anarchists, or paupers. There were no illegal immigrants from Europe because there was no law making immigration illegal for Europeans.

It wasn't until 1924 that numerical restrictions were placed on white European immigration, creating a situation in some ways similar to today's, in which would-be immigrants had to compete, before they left home, for the few available visas to come to the United States. The restrictions placed on Europeans, though, pale in the face of those that the 1924 legislation placed on non-Europeans: as "aliens ineligible to citizenship" because they belonged to the "colored races," they were excluded altogether. Although the 1924 quotas did not apply to the Western Hemisphere— Congress couldn't figure out what "race" Mexicans actually belonged to—the legislation also invented the concept of the "illegal immigrant" and created the Border Patrol to keep Mexicans out. (I describe these restrictions in more detail in the section on immigration and race in my book.)

The last major immigration reform, in 1965, finally removed the racially defined quota system, and replaced it with a uniform quota system for all countries. But the new laws of 1965 were only one factor leading to the huge increase in immigration from Latin America and Asia.

Even more important has been the acceleration of what we now call "globalization." Today's globalization builds on structures developed during the centuries of colonialism that preceded it. One aspect of globalization in the second half of the twentieth century has been a huge population movement from the former colonies into the lands of their former colonial masters. In order to comprehend this global phenomenon, we have to look at the socioeconomic and cultural legacy of colonialism.

In broad strokes, the European colonialism that shaped the modern world could be described as the conquest of people of color by white people, the massive transfer of natural resources out of the colonies and into the colonial powers, and the dispossession of formerly self-sufficient native inhabitants as their lands were taken for the export economy. Modern colonialism began with Spanish and Portuguese expansion in the 1400s, followed by northern European expansion in the 1600s and 1700s. By the end of the 1800s the European countries had carved up much of Africa and Asia, while the United States was extending direct and indirect rule into the newly independent countries of Latin America.

Formerly self-sufficient natives of these lands conveniently served as a cheap or coerced labor force to exploit the resources (land, minerals). The colonial powers received the raw materials and agricultural products that allowed them to industrialize; the colonies were left with depleted lands and political structures that were geared toward tyranny and exploitation. If the dispossessed masses rebelled, colonial armies were quickly mobilized to repress them.

Consider the example of the Dominican Republic. It was colonized first by Spain, then by the United States. (The U.S. invaded and occupied the Dominican Republic from 1916 to 1924 and again in 1965.) The first U.S. occupation brought about massive dispossession and transfer of Dominican land into the hands of U.S.-owned sugar plantations; the second brought about the modern version of colonialism (sometimes called "neocolonialism"), in which the governments of poor countries are forced to create low-wage, lowtax, low-regulation environments for the benefit of U.S. corporations. (The proliferation of these export-processing zones there explains why so many of our clothes bear tags saying "Made in the Dominican Republic.")

The United States has the highest standard of living in the world, and it maintains it by using its laws, and its military, to enforce the extraction of resources and labor from its modern version of colonies, with little compensation for the populations. It is no wonder that people from these countries want to follow their resources to the place where they are being enjoyed.

Most of today's immigrants come from countries where the United States has been deeply involved in the past hundred years: in addition to the Dominican Republic, they come from such countries as Mexico, the Philippines, El Salvador, Guatemala, Vietnam, and Cambodia. Given the numerical quotas and the preference system that privileges family members of those already in the United States, for most would-be immigrants from the Third World (i.e., people from former colonies—i.e., people of color) there is literally no way at all to receive permission to come here. Even immediate family members, who are granted priority, have to wait up to twenty years to get permission. For those without family members who are citizens or permanent residents, the current law is little different from the one passed in 1924: it permanently excludes them.

The law, then, is inherently discriminatory. It primarily benefits close relatives of U.S. citizens and of permanent residents. For most people who want to come to the United States, the law simply forbids it.

When the law prevented blacks from sitting at a lunch counter reserved for whites, black people protested the law by breaking it—sitting down where they were told they weren't allowed. On many occasions in the past, people have struggled for equality before the law by committing civil disobedience and entering an institution, a neighborhood, a city, a state, or a country that forbids their presence. Today, we think of many of those who broke the law in the past in the interest of equal rights as heroes.

Statue of Liberty Photo used under Creative Commons. Photo by Turkinator on Flickr.

emptyage: EmptyageNow I’m enraged! Biggest isn’t...



Now I’m enraged! Biggest isn’t best!

bstriddy:

Sorry, but this chart is a nonsense. If you read the fine print, you’ll find that the ranking is by sales volume. I’m not sure what exactly qualifies a brewer as craft, but I feel quite certain that sales volume is typically contraindicative of craft. (I do mean typically, not necessarily.)

Checking the Bay Area and seeing Gordon Biersch is what tipped me off that this is bogus. No Russian River, no Bear Republic?! Michigan at least has Bells, but what about Jolly Pumpkin and Leelanau? I call PSHAW.

ilovecharts:

mocus:

50 Best Craft Brewers in America

A much needed Map!

http://www.francescamclin.com/blog/50-best-craft-brewers-in-america/

kickerofelves: Largeheared BoyShorties (Band of Horses, Jose Saramago, and more)

Band of Horses visit The Current studio for an interview and live performance.


LA Weekly shares a 2008 interview with the recently departed author Jose Saramago.


Kathryn Calder of the New Pornographers talks to the Capital Times.


Eye Weekly interviews Jon Spencer.


At The Faster Times, Michael Kimball interviews author Gina Frangello.


Flavorwire lists the sexiest indie rockers over 40.


The New York Times profiles the Arcade Fire.


KCRW's Bookworm interviews author Jane Smiley today.


The Santa Barbara Independent interviews Fleet Foxes frontman Robin Pecknold.


Willamette Week recommends graphic novels for people who hate comics.


The Hattiesburg American interviews Van Dyke Parks about his Mississippi roots.


NPR lists six novels about illicit love.


Neil Finn talks to the Miami Herald about the Crowded House reunion.


NPR reviews and excerpts from Gary Shteyngart's new novel, Super Sad Love Story.


Matablog has news of an NYC art show (August 27-28) of collages by Guided By Voices frontman Robert Pollard.


In the Guardian, Ali Shaw lists the top 10 transformation stories in literature.


Win a $100 Threadless gift certificate and a copy of Adam Rex's young adult novel Fat Vampire in this week's Largehearted Boy contest.


Follow me on Twitter and Stumbleupon for links (updated throughout the day) that don't make the daily "Shorties" columns.


also at Largehearted Boy:

previous Shorties posts (daily links from the worlds of music, literature, and pop culture)

Atomic Books Comics Preview (highlights of the week's comics & graphic novel releases)
daily mp3 downloads
Largehearted Word (highlights of the week's book releases)
Try It Before You Buy It (mp3s and full album streams from this week's CD releases)
weekly music & DVD release lists


briank: BrianKaneOnlineFeed Me

Britain has always taken a back seat to other countries, especially France and Italy, when it come to cheese, but did you know that there are 700 varieties of cheese made in the U.K.? Only 14 of them rise to the level of AOC-style designation, but it’s not unusual for artisanal cheeses to be as good or better than traditional styles. This BBC article talks about the growing public appreciation for cheese in the U.K. and the resulting explosion of cheese-making throughout the country.

Speaking of British traditions…for centuries, British sailors were issued a daily tot of rum as part of their rations. The rum was typically added to water and called “grog”, since the water wasn’t particularly palatable. Crews would even mutiny if their grog was withheld. The Royal Navy continued this tradition until 1970, if you can believe that, and the final issue of rum was ceremonially served to RN sailors as “The Black Tot”. The last of that specific stock of rum is now being sold, having been kept in storage all these years (just in case, I guess…you never know when they might need a flagon or two), at the rather steep price of £599 for a pint…although you do get a nifty replica of the copper cup used on ships to measure out the rations.

On our vacation to Cape Cod earlier in the summer, we took Charlotte to her first-ever drive-in movie at the Wellfleet Drive-In. There are so few working drive-in movie theaters left that we figured it might be a once-in-a-lifetime thing for her. I was tickled that when the screen finally lit up one of the very first things they showed was a real 1950s ad for the concession stand just like the one in the YouTube clip above. This recent Serious Eats post has a handful of some of the better known ones, and if you go to the webpage for that YouTube clip, you will notice a slew of similar nostalgic bits of drive-in ephemera. Sadly, the actual concession stand food was still just as shitty and overpriced as it ever was, but at least she can say she got to have the experience.

This is called the “Toast-E/R”, and it lets you make your breakfast a little more exciting by pretending that you are defibrillating your bread into toasty deliciousness. It’s a project from designer Shay Carmon, so don’t rush on over to Target to try and buy one just yet, but don’t you just want it like RIGHT NOW?

See Also

Marquis: Said the GramophoneBROS INCEIVING BROS

Hemingway contest

Wolf Parade - "Cloud Shadow On The Mountain". Jack Gala had been hitting home-runs for so long that when on July 28th, a Wednesday, he stepped to the plate and struck out - he was as happy as a pig in shit. His teammates sagged, the coach drooped, fans across the stadium were rending their clothes. But Jack Gala was tossing his cap, high-fiving his rivals, leaping and whooping and lifting his face to the sky. He skipped the press conference. He ran out the arena's back door, jumped on his motorbike, threaded the boulevards til he was home. "Jackie, let's get married," he said to his girlfriend. He called his mother: "Ma, it's me." He walked up and down the block, paying for all the neighbours' kids' college educations. Jack Gala was reinvented. Jack Gala was free. [buy Expo 86]


Lucien Midnight - "Major Tom". It's taken me a couple years to track down this cover of David Bowie's "Space Oddity". We heard it in a rental car, across the radio. Google was not very helpful. These many months later I am gratified to uncover the song and still find it very good. I am wary of covers. They must justify their existence. You will find none of Seu Jorge's anemic Bowie retakes on this blog. You will not hear the inane acoustic versions of "Paper Planes" or "Since U Been Gone". These can be fun in the moment, round the campfire; but they are blown bubbles, potato-chips, knock-knock jokes. Covers are interpretations, and some interpreters are better than others. Some mark the material, some mimic it. Some rekindle the songs in their own way. Lucien Midnight does not just recreate Bowie's "Oddity" with acoustic guitar, evening air, crickets. His Major Tom is a different character. There is more anger, submerged; more love for his "blonde" back home. He is not just stranded out in space - he says he is fucké, ben' buzzé, stoned. Some of this is in the lyrics, loosely & brilliantly translated. But mostly it's in the everything. An old song, telling a different tale. Just slightly different. It's lovely. If only it didn't end so abruptly. [MySpace]

(Photo source)


kickerofelves: Largeheared BoyDaily Downloads (Jens Lekman, Flaming Lips, and more)

Every day, Daily Downloads offers 10 free and legal mp3 downloads, plus free and legal live sets from around the internet.

Today's free and legal mp3 downloads:

Black Mountain: "The Hair Song" [mp3] from Wilderness Heart (out September 14th)
other Black Mountain posts at Largehearted Boy

Black Prairie: "The Blackest Crow" [mp3]
other Black Prairie posts at Largehearted Boy

Dad Rocks!: "Nothing" [mp3] from Digital Age EP
other Dad Rocks! posts at Largehearted Boy

Darren Hanlon: "All These Things" [mp3] from I Will Love You At All (out September 21st)
other Darren Hanlon posts at Largehearted Boy

Grand Lake: "Louise (I Live in a Fantasy)" [mp3] from Blood Sea Dream
other Grand Lake posts at Largehearted Boy

Jens Lekman: "The End of the World Is Bigger Than Love" [mp3]
other Jens Lekman posts at Largehearted Boy

Mavis Staples: "You Are Not Alone (written by Jeff Tweedy)" [mp3] from You Are Not Alone (out September 14th)
other Mavis Staples posts at Largehearted Boy

The Pass: "Trap of Mirrors" [mp3] from BURST (out September 21st)
other Pass posts at Largehearted Boy

The Poison Arrows: "Unveiled in Sequence" [mp3] from Newfound Resolutions (out August 3rd)
other Poison Arrows posts at Largehearted Boy

Snuffaluffagus: "Brazilwood Poetry" [mp3] from Brazilwood Poetry
other Snuffaluffagus posts at Largehearted Boy


Free and legal mp3s of live performances at other websites:

Flaming Lips: 2010-07-26, New York [mp3]
other Flaming Lips posts at Largehearted Boy

Langhorne Slim: Donewaiting.com Live at Electraplay session [mp3]
other Langhorne Slim posts at Largehearted Boy

Medications: 2010-07-23, Brooklyn [mp3]
other Medications posts at Largehearted Boy

Real Estate: Daytrotter session [mp3]
other Real Estate posts at Largehearted Boy


also at Largehearted Boy:

other daily free and legal mp3 downloads

2010 Bonnaroo downloads
music festival downloads
Try It Before You Buy It (mp3s and album streams from weekly CD releases)
weekly CD and DVD release lists